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People steal in a dangerous Estonian village even if their sheds are already overcrowded. Robbery is the only concern that makes villagers more and more like the creatures they can not afford - the karats. People in this village steal from the darkness of the winter and the harshness of the cold.
November is all-caps CRAZY in the best, funniest, most exhilarating way possible. A mere description cannot, I recognize, do its out-there-ness true justice.
November is one of those films you can enjoy staring at from a perspective of visual-arts appreciation, even if the story gets thin (and it definitely does).
If Canada's Guy Maddin collaborated with Czech stop motion animator Jan vankmajer using an abandoned location from a Bela Tarr film, the result might be something like this strange (and often strangely humorous) gothic fairy tale.
Sarnet's earthbound fairy tale occupies a dreamscape somewhere between the teeming canvases of Brueghel and the existential agonies of Bela Tarr's films. And it's funny, with a sly salaciousness all its own.
This midnight-movie classic in the making uses ancient Estonian folk tales to create something shockingly unexpected. Both gravely serious and demonically funny, it's meant to knock audiences off balance. Mission accomplished.