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When his son, Nemo is taken from him by a diver, Marlin the clown fish sets off on a journey to rescue him with a blue tang fish named Dory with short-term memory loss.
Visually, Finding Nemo is spectacular. The animators render theses scenes with exquisite detail and vibrant color, reaching beyond mere CGI-wizardry to artistry.
The latest flood of wizardry from Pixar, whose productions, from Toy Story onward, have lent an indispensable vigor and wit to the sagging art of mainstream animation.
It looks great, of course: All the Pixar movies do. But the genius of those other movies lay in their actual stories -- stories as inspired as the animation.
Finding Nemo is distributed by Disney, and it has what the most heartfelt Disney animated features used to have: rapturous imagery matched with real wit.
Finding Nemo is laced with smart humor and clever gags, and buoyed by another cheery story of mismatched buddies: a pair of fish voiced by Albert Brooks and Ellen DeGeneres.
Like Pixar's previous films, Finding Nemo mines humor from the oddities of an unknown world but stays grounded in a familiar one, finding recognizable elements of heartbreak and happiness amid the ink-jetting octopi and irritable flounders.