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Two people are in a story of intense emotion but perhaps in bad circumstances. Both people seem to be quite different in style, style and behavior but live a strong love story in the Cold War of the 1950s in Paris, Berlin, Poland and Yugoslavia. It is an emotional and romantic story that will not be repeated in a time of impossible and difficult circumstances amidst these wars.
A passionate love story (yes, there's a recurrent theme here) that plays out, with musical accompaniment and political resonance, across three decades in postwar Europe.
Pawlikowski is compelling his two lovers on a sadistic and slightly contrived trajectory to end-gain the moral of the story which is that corrosive politics destroy lives.
It's got more energy and freedom than the more classically told Ida, and this can be seen in the camera movements, although occasionally it feels like the movie meanders as much as the characters do.
Pawel Pawlikowski puts on stage what is impossible to represent: the space for love in a world divided in two, in this masterful work, powerful and reflective, about passions denied by the historical context. [Full Review in Spanish]
This is an achingly personal story - the romantic leads are named after Pawlikowski's own parents, to whom the film is dedicated - and also a sadly resigned one.
Form and content seem oddly divorced, but music -- the Polish folk tunes, communist-propaganda anthems and Parisian torch songs -- sets the mood and saves the day.